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Every practice in the library, in one list. Narrow it by how long you have, who it is written for, and where you are right now.
Watch for the small thing that happens right as a feeling starts: the reach for a tissue, the laugh, the change of subject. Notice it once and say nothing, notice it again, and only then mention it.
One instance is an incident and three is a pattern, and the difference matters when you name it, because a pattern can be looked at together without…
Sometimes the thing that stops your tears is an order somebody gave you decades ago, and you are the one carrying it out now. One woman found her father's words sitting behind a habit of wiping her face dry the moment she cried.
That is worth knowing because it changes who the rule belongs to. It was his voice, in her hands, running long after he had gone. Naming the source…
Before going towards a hard feeling, decide what will hold you while you are inside it: a way of breathing, a way of standing, a sentence, a person you can picture or ring.
Going in with nothing is not brave, it is flooding, and it teaches your system that feelings really are dangerous. Pick two or three supports in…
Whoever is going to do the feeling picks what to work with. The tightness in the chest, the closing throat, the anger, the grief, whichever one they are ready for today.
Choosing keeps the person in charge of the dose, and being in charge is a fair part of what makes this different from whatever happened to them. If…
There is more about low mood and hard feelings than the practices: the low mood and hard feelings area has the themes and the courses too.