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Every practice in the library, in one list. Narrow it by how long you have, who it is written for, and where you are right now.
Some reactions really do just happen, like a wind up toy pointed forwards, banging into whatever is in the way. That is a description of the problem rather than an excuse for it.
Automatic does not mean permanent. Notice which situations you keep colliding with: the same shop, the same hour of the evening, the same person's…
Not all anger is a reaction to something. Sometimes a person goes looking, standing exactly where someone is likely to snap, and it is worth being honest with yourself if that is you.
The signs are small: replying to a comment you could have scrolled past, holding your ground where nothing is at stake, choosing the route where the…
Angry memories come back in extraordinary detail: the tilt of the head, the exact words, the door. That vividness is what a threatened body does with a memory, not proof that the event deserves the room it is taking.
It explains why replaying feels so compelling and does so much quiet damage. Every rehearsal lays the same track down again. Catching the replay as…
When someone tells the story with every detail, the exact words, the way the door shut, what she was wearing, they are not wandering off the point. The detail is telling you how unsafe it felt.
Steering them back to the summary usually lands as being told their experience is a nuisance. Let it run a while and hear the detail as a reading of…
There is more about anger than the practices: the anger area has the themes and the courses too.