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Every practice in the library, in one list. Narrow it by how long you have, who it is written for, and where you are right now.
Instead of shutting your eyes, let your gaze go soft and wide: the sky, the far wall, the space above someone's shoulder. Keep them open and let the focus loosen.
Closing your eyes in front of someone reads as walking out of the conversation, and it often makes things worse. A soft open gaze breaks the lock…
When someone tells the story with every detail, the exact words, the way the door shut, what she was wearing, they are not wandering off the point. The detail is telling you how unsafe it felt.
Steering them back to the summary usually lands as being told their experience is a nuisance. Let it run a while and hear the detail as a reading of…
Those same four dots could have been joined into a cross. You never saw the cross, because the square had already settled.
The second step matters more than the first. Not only did you build the picture, you built one of several that fitted the same dots. So when a tone…
The same cup is a drinking cup at home and contraband in a prison, because the role you are standing in has already decided what you are looking at.
You have roles too, and they are quieter than a uniform: the wronged partner, the one who never gets thanked, the employee nobody respects. Standing…
Looking for a whole subject rather than a single practice? Start from the nine areas.