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Every practice in the library, in one list. Narrow it by how long you have, who it is written for, and where you are right now.
Hold up a cup and ask what it is. A cup, a container, a weapon, a paperweight, an odd object to a creature with no hands. The answer depends on who is asking.
Starting with a mundane object matters, because it is easy to concede there. Then carry it across: what someone said this morning is a fact, what it…
The same cup is a drinking cup at home and contraband in a prison, because the role you are standing in has already decided what you are looking at.
You have roles too, and they are quieter than a uniform: the wronged partner, the one who never gets thanked, the employee nobody respects. Standing…
Think about the last person who shouted at you. Were they angry with you, or were they afraid? The honest answer is usually both, and both is allowed.
This is not about excusing anyone. Fear and anger arrive together so often that reading only the anger leaves half of it out. Seeing the frightened…
Some drawings can be seen two ways, an old woman or a young one, and neither reading is the correct one. Feeling the switch happen in your own eyes teaches something no explanation manages.
Keep one of those images somewhere you will come across it. When you are certain about somebody's motive, look at it and let it flip. The point is…
Looking for a whole subject rather than a single practice? Start from the nine areas.