Practices

Run the same moment twice. The second time, change nothing except what you do with it, and let yourself not mind what the other person might be thinking.

Keeping the situation identical is the point, because then the only thing that moved was you. In a session that means the same silence and the same…

Practice gets more useful when someone is really watching. It also gets harder, so agree that part before you begin instead of adding it once the person is already in the middle of it.

An audience raises the stakes in a way that makes the rehearsal more like life, which is exactly why it helps. It is also where consent gets…

Practise not needing the praise, not only the approval. If a compliment can lift you that much, the same dial is being turned when somebody criticises you.

The mirror version of this exercise has someone hold a flattering thought about you while you sit with it and stay level. It feels odd, because few…

Knowing why you are guarded rarely lowers the guard. What changes it is doing something different while the feeling is actually running.

Most therapy asks where a pattern came from, and that question has its place. The reflex, though, was learned in moments and it gets relearned in…

You cannot install a new response, and you do not need to. If you have lived one moment of it, the trace is already in you, and the work now is repetition.

People often leave a good session or a good day wishing they could keep hold of it somehow, as though it might drain away overnight. What keeps it is…

If your skin is very thin at the moment, do the first rounds in your head. Picture the slight, picture how you want to meet it, and let the real thing wait a while.

Going straight to the live version works for plenty of people and it is quicker. For someone already flinching at ordinary conversations, it can…

Rather than manufacturing a calm you do not feel, borrow one you have really had. Bring a settled memory to mind and hold it against the thing that usually stings.

Actors do this instead of faking a feeling: they call up a real moment and attach it to the cue until it starts arriving on its own. The same works…

Pick the calm memory with some care. Sun on a beach, a bike ride, someone cleaning up a scraped knee: what matters is that it is genuinely safe ground for you.

Childhood scenes are often the most vivid, which is what makes them useful and also why they can misfire. If your early years were not safe, a prompt…

Not minding what people think is a skill with limits. There are rooms where what others think of you genuinely matters, and the aim is to be able to choose, not to stop caring everywhere.

A police stop, a courtroom, an interview, a conversation with someone you have hurt: none of those are places to practise indifference. Losing the…

Here is a small one to practise on. Take the time you need to park properly, even with somebody waiting, instead of driving on to find an easier spot.

The stakes are close to nothing and the discomfort is real, which makes it good material. You are not trying to hold anyone up, so no dawdling and no…

Another one: take a couple of extra items into the express lane and see what actually happens. Almost always it is a look and nothing more, which is worth learning first hand.

The rule that keeps this decent is deciding in advance to give way at once if anyone objects. No arguing, no standing your ground, a quick apology…

If you have someone safe to do it with, ask them to say the thing you dread being thought about you, on purpose, while you practise staying level.

Home is usually where the anger actually happens, so practice that stays in a therapy room or in your head only goes so far. Agree the words…

Let yourself be five minutes late to something that does not matter. Then ask how you would feel if a friend were five minutes late to you.

Most people find they would not mind at all, which puts the difference in plain view. The standard you hold yourself to is often far harsher than the…

Wear something slightly odd for a day. A strange tie, a shirt you would normally think twice about, nothing that would embarrass anybody else.

You choose the intensity, which is what makes this a good place to start. Mild enough and you will barely notice it. A step further and you will feel…

Working on anger is not meant to leave you with nothing to say. The aim is to keep the objection and let go of the force it was riding on.

Two things are worth pulling apart: whether something has genuinely gone wrong, and how hot your body has gone about it. A good share of the heat…

You can be genuinely indignant and still say the thing evenly. The feeling does not have to travel in your voice.

Notice what actually changes when the heat comes out of it: the words stay, the point stays, the volume and the edge go. It helps to know beforehand…