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Every practice in the library, in one list. Narrow it by how long you have, who it is written for, and where you are right now.
Breathe in for about five and out for about ten, and do not hold at the top. Go straight from the in breath into the out breath, five to ten times over.
That pause after the inhale feels natural to add, and it can raise your heart rate rather than lowering it, which undoes what you came for. If ten…
Fighting, running and freezing are the ones everybody can name. There is a fourth: going along with things, smoothing them over, making yourself easy to be around so that nothing bad happens.
It gets read as being agreeable, or as a personality, and it is often neither. If you grew up being criticised, or spent years around someone…
You are not trying to talk yourself into feeling calm. You are trying to move your body from one setting into another, and the breath is the handle you can reach.
Once the alarm system is running, stress hormones are already in the blood and telling yourself to relax does very little about them. Changing the…
Four in, hold four, four out, hold four. The holds are the strong part of this one, and they stay optional every single time.
Some people find the pauses deeply settling. Others meet the edge of what they can tolerate there, especially at the bottom of the exhale. Both are…
There is more about your body than the practices: the your body area has the themes and the courses too.
If you keep only one thing, make the out breath longer than the in breath. Four in and eight out is enough, and nothing clever is needed on top of it.
This is the closest thing to a dependable settling lever. It suits the end of the day, a queue you are stuck in, the ten minutes before sleep. Some…