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Every practice in the library, in one list. Narrow it by how long you have, who it is written for, and where you are right now.
When someone tells the story with every detail, the exact words, the way the door shut, what she was wearing, they are not wandering off the point. The detail is telling you how unsafe it felt.
Steering them back to the summary usually lands as being told their experience is a nuisance. Let it run a while and hear the detail as a reading of…
The useful part of this kind of practice is not the calm. It is noticing that the angry commentary running in your head is commentary, and that you are not obliged to follow it.
You are not arguing with the content or proving it wrong. You take half a step back: there goes that thought again, and here I am hearing it.…
A story that grips one person can harm another. Before reaching for something graphic to make a point, be sure you know who is in front of you.
Shocking images work because they stick, which is exactly the danger for someone who has hurt themselves before or who thinks about it when things go…
You cannot argue anybody out of certainty, yourself included. What loosens a grip is play: a puzzle, a small experiment, a question where nobody has to lose.
If you want someone to hold a view more lightly, resist correcting it. Give them something to look at that shows them their own mind at work, and let…
Looking for a whole subject rather than a single practice? Start from the nine areas.