Your body

Four steps you can do in ten seconds in the middle of anything: stop, take one breath, look at what is actually happening, then carry on.

It fits inside an argument, a shopping queue, the second before you send a message you will regret. The value is not the breath itself, it is the…

Say it plainly whenever you teach anything: the way I am showing you this is not the way it has to be done. Change it until it works for you.

Anyone who has failed at the standard version of something several times will not try again unless they are told clearly that adapting it is allowed.…

Cold water on your face, especially around the eyes and cheeks, slows things down fast. Splash it, or hold a cold flannel there for half a minute.

This is one of the few things that works when you are too far gone to concentrate on anything. It asks for no skill and no privacy beyond a tap. Lean…

Cross your arms over your chest, hook your thumbs together, and tap your shoulders slowly, left then right. You set the pressure and the speed.

Twenty or thirty seconds is enough to feel something shift, and most people find the breath falls into step with the tapping on its own. Warmth in…

You do not need a diagnosis to be worth teaching this to. Something that takes seconds, costs nothing and travels with you is worth having before you need it.

Practise it on an ordinary day, sitting on the bus or waiting for the kettle, so your hands already know it when the day is not ordinary. That is…

Trace a square in the air with your finger while you breathe: in for four along the first side, hold for four, out for four, hold for four.

The counting brings the breath down to somewhere between four and six a minute, depending on how fast you count, which is the range most of the heart…

In the thick of it, keep your eyes open and give them something outside you to rest on. A fingertip, a doorframe, the line where the wall meets the ceiling.

Closing your eyes takes away the evidence that you are here and safe, and for some people it lets images in that they were holding off. Most…

Breathe in, then let it out as a sigh you can actually hear. Not a polite one.

The sound is the point. A silent out breath does some of the work, and letting the voice into it adds a bit more, which is probably why sighing turns…

Tap the fleshy side of one hand with the other and say it plainly: even though I am feeling all this in my body right now, I can accept that this is how I am.

You can strip away everything else and this part still stands up. Naming the state and accepting it in the same sentence blocks the second wave, the…

Before you try anything, give your distress a number out of ten. Do the thing. Then give it a number again.

Even a drop from eight to six is worth having, because you were the one who moved it. That is often the more important result: not the two points,…

When you have gone numb rather than frantic, try a long low sound on the out breath. Voo, drawn out until the breath runs out, so your lips and chest buzz with it.

This is for the flat, far away state, not the racing one. The buzz gives you something unmistakable to feel when nothing else is registering, which…

After you have tried something to settle, check: how here do you feel now, compared with before? Do not assume it worked just because it usually does.

This takes ten seconds and does two jobs. It tells you whether that particular thing is worth reaching for again, and it slowly trains you to notice…

Rest one hand on your forehead and the other on your chest. After a few minutes, move the forehead hand down to your belly. Eyes open or closed, whichever you prefer.

Again the instruction is only to notice what goes on between the two hands. That noticing is quietly the training: it is body awareness arriving…

Two senses rarely get named: the one that tells you where your limbs are, and the one that tells you which way is up. Pressing your feet into the floor or slowly turning your head feeds both.

When someone feels unreal, or far away from their own body, these are the channels that have gone quiet. They carry plain information with no feeling…

Keep one strong smell for when you have gone flat, lemon or peppermint, and one soft smell for when you are wound up, something like lavender. Smell asks nothing of you, which is its whole advantage.

Set this up in advance, because the moment you need it is the moment you will not feel like planning. A small bottle in a bag, a sprig in a pocket, a…

For coming down, something sweet taken slowly tends to help more than anything you chew: sipped through a straw, or let dissolve on the tongue. Nobody around you can tell you are doing it.

Slow sucking soothes in a way that goes right back to the first weeks of life, and it is quiet enough to use in a meeting, on a bus, in a waiting…

When you have gone flat and far away, chew something noisy or blow something: pretzels, raw carrot, bubbles, a slow puff at a candle flame. It lifts you without tipping you into panic.

Collapse does not respond to calming, since you are already too far down for that. What helps is work for the jaw and a long active out breath, both…

On a video call, two things still work well: touching your own face gently, and rocking. Both are yours to do, and both are visible enough to be done together.

Distance takes away most of what one person can offer another physically, so it helps to know what survives it. A hand resting on your cheek, fingers…

If talking about feelings has always felt foreign or a bit embarrassing, treat this as a once a day checklist instead. Five boxes, no discussion, nothing to perform.

Plenty of people who go blank at how are you feeling can tell you straight away whether their shoulders are tight or their breathing is shallow.…

Ask who you are today and what body you are living in today, and let the answer be different from yesterday's. You are more fluid than solid.

Hard experience tends to freeze a person into a description: the damaged one, the difficult one, the one who cannot cope. Asking the question daily…

When you sit down to breathe, notice your pelvis. Tucked hard under or tipped hard forward both squeeze the breath; somewhere in the middle lets the diaphragm move.

Rock gently forward and back a few times and stop where the breath feels easiest, rather than aiming for a posture that looks correct. You will…

Before twisting, draw your belly gently in towards your spine. It looks after your lower back, and it is worth feeling for its own sake: you steady the middle before you turn towards anything.

The physical version is simple. A light drawing in of the abdomen, not a clench, held while you rotate and released as you come back. The felt…

Offer any movement in three sizes: small, medium and full. Let people take the one that fits today, and let them change their mind halfway through.

For a twist that might be a simple reach, or a reach with the other hand placed behind, or loose swinging arms. The three sizes do quiet work. They…

Learn one plain standing position and keep coming back to it: feet under hips, hips under shoulders, ears above shoulders, chin drawn back a little, arms hanging.

The point is not that this posture is correct. It is that having one shape you return to gives you something to measure by, so you can tell that…

If your attention has no filter, everything in the room arrives at once, and you are tired before the day's actual work begins. That is not laziness, it is a bill coming due.

Two things drain you at the same time: the unfiltered noise itself, and the effort of holding yourself together in spite of it. That is why the…

The benefit of a settling practice is cumulative. A fortnight of it now and then does little; the people who get most out of it are the ones who kept going for years.

This cuts both ways, and both are worth knowing. Two weeks of daily practice with no obvious result is not proof that it will not work for you. And…

Your mind wandering off during meditation is not you failing at it. Noticing that it went, and coming back, is the whole exercise.

People with restless attention often try meditation, find their head full of noise, decide they are uniquely bad at it and never go back. Nobody…

Think of your thoughts as traffic on a road. Practice thins the traffic. It does not close the road, and nobody has ever managed to close it.

This is a more useful target than clearing your mind, because you can tell whether it is happening. Some days it is bumper to bumper and the practice…

Practise with the noise on, at least some of the time. The quiet room is not where you are going to need the skill.

A calm that only exists in a silent house is not much use in an open plan office or a kitchen at teatime. Once you can settle in the quiet, do a…

Once a day, go from head to feet and notice what is there. A good deal of what you find will be plain need: thirsty, hungry, needing the loo, needing to stand up.

When you get absorbed in something these signals go unheard for hours, and then you wonder why you feel dreadful by four o'clock. The scan is dull,…

Brain imaging does show that practice changes something. Be careful with anyone who tells you a great deal more than that.

It genuinely helps to know that sitting and breathing is not nothing, particularly if you have been told your whole life to just try harder. It also…

Five minutes chosen for the state you are actually in beats twenty minutes of open sitting. Pick the one labelled stressed, or cannot sleep, or about to walk into work.

Two things end a practice early: it was longer than the attention you had that day, and you had to decide what to do before you could start. Short…

If you have spent thirty years being told you are careless, lazy or too much, no attention technique will touch that. Kindness practice, aimed at yourself, is the part that does.

It usually feels absurd at first, and slightly embarrassing, which is worth expecting rather than reading as a sign that it is not for you. Start…

In muscle relaxation you are usually told to let go slowly. If slow leaves you fidgeting, let go all at once. The version you will keep doing is the better version.

The standard sequence is to tense a muscle group, hold it, then release gradually, and for some people that long release is unbearable to sit…

Keep a short list of things that settle you, and choose from it by how you actually are, not by which one you like best. Wound up and racing needs something different from flat and switched off.

When you are speeding, the things that help slow you down: a long out breath, cold water on the face, attention to your feet and hands, pushing…

If your body is braced to run and there is nowhere to run to, try running in extreme slow motion. One knee lifting over several seconds, then the other.

The urge to bolt does not disappear when you sit on it, it just stays in the muscles as shaking, tightness or ache. Doing the movement so slowly that…

Picture something that could hold what you cannot deal with today. A box, a safe, a chest with a lid. You choose the size, what it is made of and where it is kept.

The details matter more than they sound: deciding what holds it, and knowing you can open it again, is what makes this different from pushing…

If the even square does not touch it, stretch the shape: in for six, hold for four, out for six, hold for four.

Having a second version matters more than which numbers you use. When one pattern does nothing, people usually conclude that breathing techniques do…

Some people find it helps to tap lightly on points around the face and hands while saying out loud what they are feeling and that they accept feeling it. It is easy to try and hard to be sure about.

The full method comes with a sequence of points and a set number of rounds, and free manuals for it are everywhere. What it puts together is rhythmic…

Rolling or throwing a ball back and forth with someone is more useful than it looks when one of you has gone blank. It gives the body a job and the two of you a rhythm at the same time.

It works over a video call as well: ask them to fetch a ball from another room and bounce it while you talk. Say what you are doing and why, so it…