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Every practice in the library, in one list. Narrow it by how long you have, who it is written for, and where you are right now.
Before you reach for a technique, notice what you privately think anger is. A room can hear disapproval underneath even a well chosen intervention.
It is worth spending real time on your own account of the thing: where it comes from, what it is trying to do, what it costs. If you hold it as bad…
Skills rehearsed in total calm tend to vanish at the moment you need them. Practise on something still slightly warm, a real incident from this week, close enough that you feel a little of it.
Bring the scene back in enough detail that your chest tightens a bit, then do the work right there. What you read into it, what else it might have…
If you grew up where the threat was real, your reading of a raised voice is not a distortion. It is accurate to somewhere you used to be.
So the work is not correcting a mistake. It is learning to tell one setting from another, which is slower and needs practising in daylight rather…
Some anger arrives with an argument already inside it: that they disrespected you, that this is not how you are meant to be treated. It burns cooler than the sudden kind and it lasts much longer.
Because it is made of a story, it can be handled at the level of the story. What did that gesture actually mean. What would it mean if they were…
Looking for a whole subject rather than a single practice? Start from the nine areas.