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Every practice in the library, in one list. Narrow it by how long you have, who it is written for, and where you are right now.
You cannot install a new response, and you do not need to. If you have lived one moment of it, the trace is already in you, and the work now is repetition.
People often leave a good session or a good day wishing they could keep hold of it somehow, as though it might drain away overnight. What keeps it is…
If your skin is very thin at the moment, do the first rounds in your head. Picture the slight, picture how you want to meet it, and let the real thing wait a while.
Going straight to the live version works for plenty of people and it is quicker. For someone already flinching at ordinary conversations, it can…
Rather than manufacturing a calm you do not feel, borrow one you have really had. Bring a settled memory to mind and hold it against the thing that usually stings.
Actors do this instead of faking a feeling: they call up a real moment and attach it to the cue until it starts arriving on its own. The same works…
Pick the calm memory with some care. Sun on a beach, a bike ride, someone cleaning up a scraped knee: what matters is that it is genuinely safe ground for you.
Childhood scenes are often the most vivid, which is what makes them useful and also why they can misfire. If your early years were not safe, a prompt…
There is more about anger than the practices: the anger area has the themes and the courses too.