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Every practice in the library, in one list. Narrow it by how long you have, who it is written for, and where you are right now.
Press ups on clenched fists give the hands something close to striking, while the effort and the counting take the story out of it.
The shape of the movement is part of why it satisfies, and the breathing it forces is what stops it being a rehearsal. Count the reps, keep the…
If one sigh helps, take another. Nothing says you have to wait for the hard part to be over first.
Waiting makes the sigh a report on something already finished. Repeating it while you are still in the middle turns it into an intervention instead.…
For a child who is boiling over: eyes closed, fingers gently over the ears, and a long humming breath out. They can feel the buzzing inside their own head.
Blocking their ears is something an upset child often does already, so you are borrowing a movement their hands know rather than teaching a new one.…
When one thing fills your view, everything around it stops registering. You can be staring hard and taking in almost nothing.
This is why an angry judgement can feel so sharp and turn out to be so poor. The person in front of you has become the whole picture, and the details…
Find something with nothing in it to look at: sky, a blank wall, a ceiling, a stretch of grass. Do not concentrate on it. Let your attention spread out over it.
Looking for a whole subject rather than a single practice? Start from the nine areas.
Hostile thinking needs something to grip, and it will use whatever the eyes hand it. An expanse with no features gives it nothing, so the replay…