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Every practice in the library, in one list. Narrow it by how long you have, who it is written for, and where you are right now.
Excitement and panic run on the same fuel. What turns it into play is feeling safe while it happens.
If you have learned to distrust your own energy, anything lively reads as a warning: a fast heart before a party, the buzz of an argument you are…
Thinking about a feeling tends to slow it down. Feeling it in your body tends to speed it up. Between those two you have a throttle.
When someone is flooded, moving to words, naming and a little distance brings it down. When someone is flat and describing their week from behind…
The tools that slow things down mostly use your head: naming what is happening, standing back a little, putting the distress at arm's length for now.
Explaining to yourself what your body is doing. Watching a thought rather than arguing with it. Asking whether the worst reading is the only reading.…
The tools that reach what words cannot are physical: feet on the floor, a long breath out, pushing hard against a wall, deliberately walking away from something.
Some of what happened is held below language, which is why the most articulate account of it can leave you unchanged. Movement that finishes…
There is more about your body than the practices: the your body area has the themes and the courses too.
Long stress does not have one look. Some people end up permanently switched on. Others end up flat, heavy and hopeless. The two need opposite things.
If you are the switched on kind, the work is coming down: a longer breath out, less caffeine, a real end to the working day. If you are the flattened…