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Every practice in the library, in one list. Narrow it by how long you have, who it is written for, and where you are right now.
Say the difficult sentence out loud, on your feet, in something like the real conditions. Thinking it through in your head is a different skill from getting it out of your mouth when your pulse is up.
Acting it out feels awkward and that awkwardness is part of why it works: the version of you who has to speak is the aroused one, so that is the…
Before going towards a hard feeling, decide what will hold you while you are inside it: a way of breathing, a way of standing, a sentence, a person you can picture or ring.
Going in with nothing is not brave, it is flooding, and it teaches your system that feelings really are dangerous. Pick two or three supports in…
Before you go anywhere near the hard memory, you need to be able to stay in your own body while something difficult is happening in it. That capacity is part of the work, not a delay before it starts.
Phase based approaches put this first for a plain reason: people who cannot bear the arousal either drop out or push through and come away worse. If…
Telling someone what a treatment will actually be like improves how they respond to it. What it feels like, how long, what is normal afterwards.
Uncertainty makes everything sharper, so filling it in with plain description takes some of the edge off before anything starts. Do not oversell it…
Looking for a whole subject rather than a single practice? Start from the nine areas.