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Every practice in the library, in one list. Narrow it by how long you have, who it is written for, and where you are right now.
If your skin is very thin at the moment, do the first rounds in your head. Picture the slight, picture how you want to meet it, and let the real thing wait a while.
Going straight to the live version works for plenty of people and it is quicker. For someone already flinching at ordinary conversations, it can…
Rather than manufacturing a calm you do not feel, borrow one you have really had. Bring a settled memory to mind and hold it against the thing that usually stings.
Actors do this instead of faking a feeling: they call up a real moment and attach it to the cue until it starts arriving on its own. The same works…
Pick the calm memory with some care. Sun on a beach, a bike ride, someone cleaning up a scraped knee: what matters is that it is genuinely safe ground for you.
Childhood scenes are often the most vivid, which is what makes them useful and also why they can misfire. If your early years were not safe, a prompt…
Not minding what people think is a skill with limits. There are rooms where what others think of you genuinely matters, and the aim is to be able to choose, not to stop caring everywhere.
A police stop, a courtroom, an interview, a conversation with someone you have hurt: none of those are places to practise indifference. Losing the…
There is more about anger than the practices: the anger area has the themes and the courses too.