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Every practice in the library, in one list. Narrow it by how long you have, who it is written for, and where you are right now.
In the thick of it, keep your eyes open and give them something outside you to rest on. A fingertip, a doorframe, the line where the wall meets the ceiling.
Closing your eyes takes away the evidence that you are here and safe, and for some people it lets images in that they were holding off. Most…
Breathe in, then let it out as a sigh you can actually hear. Not a polite one.
The sound is the point. A silent out breath does some of the work, and letting the voice into it adds a bit more, which is probably why sighing turns…
Tap the fleshy side of one hand with the other and say it plainly: even though I am feeling all this in my body right now, I can accept that this is how I am.
You can strip away everything else and this part still stands up. Naming the state and accepting it in the same sentence blocks the second wave, the…
Before you try anything, give your distress a number out of ten. Do the thing. Then give it a number again.
Even a drop from eight to six is worth having, because you were the one who moved it. That is often the more important result: not the two points,…
When you have gone numb rather than frantic, try a long low sound on the out breath. Voo, drawn out until the breath runs out, so your lips and chest buzz with it.
There is more about your body than the practices: the your body area has the themes and the courses too.
This is for the flat, far away state, not the racing one. The buzz gives you something unmistakable to feel when nothing else is registering, which…