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Every practice in the library, in one list. Narrow it by how long you have, who it is written for, and where you are right now.
One question does a lot of work: is what my body is doing right now a fair match for what is actually in front of me? Ask it plainly, and let the answer be either yes or no.
The point is not to talk yourself out of the feeling. The signal is information and it deserves a hearing. But you can hold it up against the room…
When someone is distressed, moving too fast to settle them can land as a message that their distress is not welcome here. Let them set the speed.
Offering a breath, a blanket, a change of subject: all of it can help, and all of it can arrive as a shutting down if it comes before the person has…
You do not have to close your eyes. If keeping them open, soft and lowered, is what lets you stay in the room, that is the better version for you.
Closing your eyes takes away your ability to check the room, and for anyone whose body is used to watching, that costs more than it gives. Make it an…
Try going into the next few minutes without deciding in advance what will happen in them. Curiosity in place of prediction.
A mind used to danger plans constantly, because planning once kept you safe. Sitting somewhere ordinary and letting the next moment be unknown is…
Looking for a whole subject rather than a single practice? Start from the nine areas.
The body answers in sensations, in pictures, in a mood that turns up without explanation. If no words come when you check in, nothing has gone wrong.
People often decide they are bad at this because they went looking for a sentence and found a tight jaw instead. The tight jaw is the answer. Take…