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Every practice in the library, in one list. Narrow it by how long you have, who it is written for, and where you are right now.
Point at the body. 'Your hands went up just then', or 'you put your head in your hands', gives a feeling something solid to stand on.
Feelings argued about in the abstract go round and round. A gesture you both just watched is much harder to dispute, and it opens a door: what was…
You cannot ask for something you cannot feel the want of. Before working out how to say it, spend a minute finding what you actually need.
This is why advice to communicate better so often goes nowhere. The words come out tidy and land as nothing, because there was no felt need inside…
Ask what the feeling is trying to do for you. Anger clears an obstacle, fear gets you out, sadness calls for comfort, shame hides you from being seen.
Once a feeling has a job it stops being a defect you have to apologise for. That matters, because the ones we treat as shameful are precisely the…
There is a kind of anger that floods a room and a kind that arrives with a request inside it. The second one gets answered.
The difference is audible before it is anything else: the voice steadier, the sentence shorter, an actual ask at the end of it. I am angry, and what…
Nobody ever came for help because they were too happy. What arrives as irritation or flatness on the surface is usually fear, grief or shame underneath.
Looking for a whole subject rather than a single practice? Start from the nine areas.
So when someone snaps at you, or when you go cold and clipped yourself, treat that as the top layer rather than the whole story. The useful question…