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Every practice in the library, in one list. Narrow it by how long you have, who it is written for, and where you are right now.
Point at the body. 'Your hands went up just then', or 'you put your head in your hands', gives a feeling something solid to stand on.
Feelings argued about in the abstract go round and round. A gesture you both just watched is much harder to dispute, and it opens a door: what was…
When you are already angry, imagining your way into someone else's head asks the tired part of you to do the heavy lifting. Start with your body instead: look at their face, let your breathing and your shoulders come closer to theirs.
Perspective taking is a fine skill on a calm day. In the middle of a row it tends to slide into arguing with a version of the other person you have…
Anger has a shape before it has words. The body turns half away, a hand comes up, and the whole posture is saying no to something that has already happened.
Next time you feel it starting, look at your own hands and shoulders rather than at the other person. You can even take the posture on purpose for a…
The hand you put up to fend someone off is already halfway to a fist. There is no clean place to stop once the movement is underway, which is why the early moment is the one worth having.
In practice that moment is smaller than you expect: the first flick of heat, the sentence forming that starts with you always. That is when stepping…
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