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Every practice in the library, in one list. Narrow it by how long you have, who it is written for, and where you are right now.
Practice gets more useful when someone is really watching. It also gets harder, so agree that part before you begin instead of adding it once the person is already in the middle of it.
An audience raises the stakes in a way that makes the rehearsal more like life, which is exactly why it helps. It is also where consent gets…
Rather than manufacturing a calm you do not feel, borrow one you have really had. Bring a settled memory to mind and hold it against the thing that usually stings.
Actors do this instead of faking a feeling: they call up a real moment and attach it to the cue until it starts arriving on its own. The same works…
Pick the calm memory with some care. Sun on a beach, a bike ride, someone cleaning up a scraped knee: what matters is that it is genuinely safe ground for you.
Childhood scenes are often the most vivid, which is what makes them useful and also why they can misfire. If your early years were not safe, a prompt…
Not every reminder is the same kind of reminder. Call at three is a clock job, when I next see my manager is a person job, and that thing at the conference next year is a diary job.
Mixing them up is where a lot of honest intentions leak away. A note on the desk will not survive until next March, and an alarm cannot tell you your…
Looking for a whole subject rather than a single practice? Start from the nine areas.