Areas › Your body
Your body
You cannot think your way out of a body that is braced. This area starts there: the breath, the ground under you, moving, eating, resting, and the small physical things that change how the rest of the day lands.
What works for this
Working from the body first
A body that has not slept, eaten or moved has less left over for holding itself steady. Changing the state you are in is often faster than changing the thoughts you are having, and it is more reliable when you are already worn out.
One move, today
A long slow out breath, longer than the in breath, three times. The out breath is the part that does the work.
What matches
35 practicesThe famous count is not automatically your count. One teacher finds that adding a pause after the inhale wakes her up, while the plain long exhale has her asleep within three breaths.
Protocols get passed around because they worked for someone, often someone with a large audience. That is not the same as fitting you. Keep the shape…
Breath is the quickest way you have of turning your own nervous system up or down. Nothing else you can simply decide to do works on that timescale.
Your heart rate already rises slightly as you breathe in and falls as you breathe out, on every breath. So changing how you breathe changes something…
The rapid belly driven breath with pauses added is the strongest thing in this set. Not for high blood pressure, glaucoma, pregnancy or your period, and stop at once with pain or dizziness.
It has its uses for the flat, heavy state that comes over people after lunch or during a long low patch, because it pushes upwards rather than down.…
End a practice with a question rather than a conclusion. What do you notice works better than telling someone what should have happened.
If you announce that an exercise is calming, most people will agree with you whether or not it was. Asking leaves room for the honest answer,…
Stand on one leg for a few breaths. Your body has to work to keep you upright, and that work is loud enough to feel on a day when nothing else registers.
Balance pulls in the joints, the inner ear and the muscles all at once, so it gives a far stronger signal than sitting still and hoping to notice…
If talking about feelings has always felt foreign or a bit embarrassing, treat this as a once a day checklist instead. Five boxes, no discussion, nothing to perform.
Plenty of people who go blank at how are you feeling can tell you straight away whether their shoulders are tight or their breathing is shallow.…
Before you walk into a room with someone, ask what you are carrying in with you, and what you are likely to leave behind when you go.
State travels ahead of words. A hard conversation an hour ago, a bad night, a piece of news you have not dealt with: any of it will be in the room…
Ask who you are today and what body you are living in today, and let the answer be different from yesterday's. You are more fluid than solid.
Hard experience tends to freeze a person into a description: the damaged one, the difficult one, the one who cannot cope. Asking the question daily…
Whenever you offer a standing practice, offer the seated version in the same breath, and mean it. Say plainly that people should look after their own bodies and change anything that does not suit them.
Say it before you begin, not afterwards, so that nobody has to interrupt to ask. If you cannot see the people you are guiding, say that too, and say…
Before twisting, draw your belly gently in towards your spine. It looks after your lower back, and it is worth feeling for its own sake: you steady the middle before you turn towards anything.
The physical version is simple. A light drawing in of the abdomen, not a clench, held while you rotate and released as you come back. The felt…
Offer any movement in three sizes: small, medium and full. Let people take the one that fits today, and let them change their mind halfway through.
For a twist that might be a simple reach, or a reach with the other hand placed behind, or loose swinging arms. The three sizes do quiet work. They…
Learn one plain standing position and keep coming back to it: feet under hips, hips under shoulders, ears above shoulders, chin drawn back a little, arms hanging.
The point is not that this posture is correct. It is that having one shape you return to gives you something to measure by, so you can tell that…
When you offer someone a practice, ask them to tell you if it did nothing, and mean it. Say out loud that plenty of these do not land.
People agree that things helped for all sorts of reasons: not wanting to seem difficult, not wanting to disappoint you, having learned long ago that…
Notice one thing your body is telling you right now. Thirsty, needing the loo, shoulders up somewhere near your ears. That noticing is a skill and it does come back with use.
Long stretches of stress teach you to override the body's signals until you stop hearing them at all. Then hunger, tiredness and the early edge of…
Open your mouth and put on a big obvious fake yawn. More often than not a real one follows, and the soft palate lets go with it.
Yawns are catching, so if you are sitting with someone else one of you starting will usually set off the other. Let it be a proper one: jaw wide,…
When the person in front of you starts yawning during body work, it is usually not boredom. Bodies yawn as they let go of what they were holding.
Say so out loud, because most people apologise for it and then clamp down on the very thing that was starting to shift. A simple 'that is a good…
Let the corners of your mouth lift about as much as they would if you had just remembered something mildly pleasant. Not a smile anybody would notice.
This comes from dialectical behaviour therapy, where it is used as a way of softening without pretending. You are not being asked to feel happy, and…
Work one side of your face or body first, then stop and compare. The difference between the treated side and the untreated one is often surprisingly clear.
This is a useful trick if you tend to finish a practice thinking nothing happened. Rather than asking whether you feel better, which is a vague…
End by pressing your palms together and staying there a moment. Each hand is giving and being given to at the same time.
It is a small thing that lands hard for people who only know how to be the one who helps. Notice the warmth and the pressure and notice that you…
Finish by letting your eyes travel slowly from one side to the other a few times, open or closed, then bring them back to the middle and notice how you are.
The idea borrowed from EMDR is that this helps the calmer state settle in rather than evaporate at the door. Whether it does that is not established,…
Most of the traffic on the nerve joining your gut, heart and lungs to your brain is heading upwards. When your stomach turns or your chest tightens, your body is reporting in.
It helps to treat those sensations as messages rather than faults to be got rid of. Next time your stomach drops before a difficult phone call, try…
You can tell you are settled by small signs: your breath sits low in your belly, feelings arrive in waves rather than floods, and you can think and feel at the same time.
Other markers: your voice has some tune in it, you can take in new information, you can read what is happening on someone else's face. Knowing your…
You will stop doing this once you feel better. Write it on your list of things that help, so it is there next time instead of forgotten.
Adherence fades the same way it does with exercise, and the fading is not a character flaw. The trouble is that when you next need it you will be in…
A gut feeling is a real signal rather than a turn of phrase. The chemicals that carry emotion in your brain are also at work in your heart and your gut.
This matters most if you grew up being told your read on a situation was wrong. Noticing the sensation, naming it, then checking it against what you…
The calm and connected part of this system speaks through your face, your voice, your ears and your heart. That is why those are the places to work.
A softer face, a slower voice, unhurried breathing and something friendly to look at are not decoration. They are the reachable end of the circuit…
The way you sound reaches people more directly than what you say. There is a pathway that tunes the ear towards the human voice, and a warm, unhurried voice uses it.
Worth knowing whether you are the one speaking or the one listening. If you are settling a child or a friend, let your voice go slower and softer and…
Breathing that has gone almost invisible happens in both kinds of stillness, so it will not tell you which one you are looking at. Muscle tone will.
Look at the jaw, the hands, the shoulders, the way the body is being held in the chair. Tight and set is one thing. Slack and heavy is another. You…
Stand on one foot for half a minute, a hand on a chair if you need it, and put all your attention into the foot on the floor.
You will find it is never still. There is a constant small negotiation towards the toes, the heel, one side and back again, and every so often you…
Try locking your ankle and holding everything rigid while you balance. You will fall over. The wobble was doing the work.
People who are frightened of losing control often try to hold themselves regulated: clamped, monitoring, allowing no drift. It is exhausting and it…
There are small signs that somebody has come back into connection: light in the eyes, a bit of music in the voice, a smile that arrives by itself.
They are easy to see once you know to look, and they are just as useful in reverse. If you are with someone difficult and your own voice has gone…
Breath does not always calm. For some people it opens the door to feeling, for others it puts a little distance in. Find out which it does for you today.
The instruction to breathe deeply gets handed out as though it settles everyone. Plenty of people find that attention to their breath brings the…
Your heart speeds up slightly on every breath in and slows on every breath out. Sit quietly with a hand on your chest and you can feel it.
This is why lengthening the out breath calms you and lengthening the in breath wakes you up. It also means you carry a working control that needs no…
Hum a note you like for a few breaths, and try covering your ears with your palms so the sound fills your head.
The vibration carries through your throat and your inner ear, and humming lengthens the out breath for you without any counting. Choose your own note…
Breathe in, then push the air out gently against a closed throat, or against lightly pinched nostrils, for a couple of seconds.
The change of pressure in your chest is what does the work, and two or three rounds are enough to notice something. Keep it gentle. Straining is…
Whatever happens in a session, the change gets built in the other hours. Choose things you can do at a bus stop with nothing in your hands.
There are roughly 167 waking hours a week outside an appointment, and that is where a practice either becomes yours or quietly disappears. Elaborate…