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Every practice in the library, in one list. Narrow it by how long you have, who it is written for, and where you are right now.
There is always a small gap between the urge and the act. Nearly all of this work is learning to stay in it for a second longer.
Most people never notice the urge at all, only the wreckage, so the first job is spotting it: a hand tightening, the breath going shallow, a sentence…
Keep a short phrase you can actually reach for. Two or three words you already know: not now, or this can wait, or let it go past.
It has to be short and familiar, because nothing new and clever survives a jolt of adrenaline. Attach it to the moment you feel your body change, so…
Stepping back does more than settle you. It lets the rest of the room back into view, and the rest of the room is usually where the explanation lives.
Under threat, attention narrows onto the person in front of you and everything else falls away: what happened before you walked in, who else is in…
Your body goes first and you come second. By the time the feeling has a name, the reaction has already been running for a couple of seconds.
That lag is why anger seems to arrive fully formed. It does not, quite, and the earliest part of it is physical: heat, a jaw setting, a change in…
Thinking about your own thinking sounds abstract until you try it. It is the difference between being angry and noticing that you are angry.
Looking for a whole subject rather than a single practice? Start from the nine areas.
One is a lens you look through, the other is an object you look at, and a thought you can look at has already loosened its hold. Put a small label in…