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Every practice in the library, in one list. Narrow it by how long you have, who it is written for, and where you are right now.
Instead of breathing deeply in general, pick the place that feels tight, the front of the ribs, the chest, one shoulder, and send the breath there.
You are not really moving air into your shoulder, but putting your attention there while you breathe does two things: you start to feel that area in…
Your brain is less a single organ than a crowd of billions of cells working out what to do next. The angry pull you feel is one voice in that crowd, not the whole of you.
This matters most in the second when an impulse arrives sounding completely certain. You can hear it, treat it as one contribution, and still not act…
The aim is not to stop feeling angry. It is to stretch the time between the feeling arriving and you doing anything about it, from no seconds to a few.
That target has the advantage of being honest and checkable. You can ask whether you got a moment this time that you did not get last time. The anger…
One move to interrupt, one to settle. Open your hand, then take the slow breaths: the first buys you the gap and the second gives you something to do with it.
An interrupt on its own leaves you standing there, aware and still flooded. A settling practice on its own never gets going, because the moment goes…
Looking for a whole subject rather than a single practice? Start from the nine areas.
Sometimes you can feel the whole exchange lined up before it starts: your line, then theirs, then the door. Leaving your line out is enough to stop the sequence that once.
Nothing impressive is required. You sit there, you say nothing, you let the moment go past unfilled and you find out that it can. Some scripts do…