Your body

The famous count is not automatically your count. One teacher finds that adding a pause after the inhale wakes her up, while the plain long exhale has her asleep within three breaths.

Protocols get passed around because they worked for someone, often someone with a large audience. That is not the same as fitting you. Keep the shape…

When you are flat rather than wound up, try this. Rub your palms together until they feel awake, let them rest, then breathe in as your arms lift and out as they lower, two or three times.

Sluggish, heavy, far away: those states rarely respond to more calming. A bit of friction in the hands, some movement through the arms and a fuller…

The fast forceful practices are not for everyone. With high blood pressure, heart trouble or glaucoma, leave them out and use the slow ones, which carry no such warning.

Rapid breathing with effort behind it raises pressure inside the chest, the head and the eyes for as long as you keep it going. The gentler lift,…

Any breathing instruction that reaches you through a screen or a book comes from someone who cannot see you. Keep the final say over what your body does.

Recorded instructions have to be general. You are the one who knows that your chest tightens on holds, or that counting makes you anxious. Treat each…

Breath is the quickest way you have of turning your own nervous system up or down. Nothing else you can simply decide to do works on that timescale.

Your heart rate already rises slightly as you breathe in and falls as you breathe out, on every breath. So changing how you breathe changes something…

Put a hand just below your ribs and let it move. Most of us breathe up in the chest, and the settling effect comes from lower down, where the diaphragm can actually shift.

You can check this lying down with a book on your stomach. If the book rises, the breath is going where you want it. If only your shoulders move, it…

A child cannot watch their own breathing, so give them something to watch instead. Bubbles through a wand show the out breath as it happens: too hard and it bursts, too weak and nothing comes.

Smelling a flower and then blowing it out gives each half of the breath a picture. The bubble wand is better still, because it answers back straight…

Hot yoga asks you to keep drinking all the way through the class. If forgetting to eat and drink is one of your regular problems, choose a different room.

This is not about the style being bad. It is about matching what you choose to the things you genuinely find hard. Dehydration creeps up quietly and…

There is no breath that calms everyone. The one that settles your friend may leave you worse, and that is information about your body rather than a failure in you.

Labels like calming or energising are a rough guide at best. What actually happens depends on how you usually breathe, what your body has been…

Start with a count of four in and four out, then drop the count. Once the rhythm is there your body will choose its own length: six and six, eight and eight, whatever settles you.

The count is scaffolding. Holding onto it too long turns the practice into something you can pass or fail, which is the opposite of the point.…

Rather than pulling in a big breath, breathe gently and slightly less than you want to, then wait. The deep breath that arrives by itself does more than the one you force.

Keep the breathing light and unhurried, and after a while a mild hunger for air builds. Let it build a little. At some point the body takes a fuller…

Holding your breath for a moment makes the next one deeper, which sounds backwards until you know why. The urge to breathe is driven by carbon dioxide, not by a shortage of air.

Sensors in the brainstem watch the level of carbon dioxide in your blood, and a pause, especially after breathing out, lets it rise a little. The…

These practices are not only pleasant. They change things you could measure, which is worth knowing on the days when pleasant is not reason enough to bother.

Yoga and breath work tend to get filed under relaxation, and that undersells them. There are claims made about them shifting the chemistry involved…

A good instructor says light, moderate, heavy. A poor one says set the dial to three. Only one of those takes account of the body you actually brought with you.

Fixed settings guarantee that somebody in the room is working far too hard and somebody else is barely working at all. If you tend to go flat out and…

Heading towards the shape is the whole job. A perfect triangle is not what the pose is for, and nobody is marking it.

Perfectionism and going too hard tend to travel together, and between them they produce most of the injuries and most of the quitting. If you are…

Go slowly enough to learn something about yourself, rather than only a technique. What is worth keeping is knowing which breath does what in your body.

One round is rarely enough to tell. Try a breath for a minute or two, stop, and check what shifted: the chest, the shoulders, how loud your thoughts…

There are two skills here rather than one: letting your body move and settle in its own way, and being able to steer yourself deliberately towards rest or alertness. It is worth having both.

Most people are strong in one and shy of the other. If you always take charge, your body never gets to finish anything on its own. If you only ever…

How often you actually do it matters more than which version you chose. The people who keep turning up tend to get more out of it, and those who carry on at home get more again.

This is quietly encouraging, because an unimpressive practice done regularly beats an ideal one you manage twice. It also sets the expectation…

Part of why martial arts suit some people has little to do with the kicking. Every session opens with a plan and closes with a look back at what happened and what comes next.

Those brackets at each end are doing quiet work: planning, then reviewing, then planning again, which are exactly the things that are hard to hold in…

You do not need a diagnosis to be worth teaching this to. Something that takes seconds, costs nothing and travels with you is worth having before you need it.

Practise it on an ordinary day, sitting on the bus or waiting for the kettle, so your hands already know it when the day is not ordinary. That is…

When you sit down to breathe, notice your pelvis. Tucked hard under or tipped hard forward both squeeze the breath; somewhere in the middle lets the diaphragm move.

Rock gently forward and back a few times and stop where the breath feels easiest, rather than aiming for a posture that looks correct. You will…

When you offer someone a practice, ask them to tell you if it did nothing, and mean it. Say out loud that plenty of these do not land.

People agree that things helped for all sorts of reasons: not wanting to seem difficult, not wanting to disappoint you, having learned long ago that…

Your eyes are an input too. A photo of someone who loves you and a plain soft coloured wall will settle you; a busy bright screen will lift you.

Hardly anyone thinks to arrange what is in front of them, and it is one of the easier things to change. Put a picture where you actually sit. Turn…

Take the spine through all six of its movements: forward, back, bending to each side, turning to each side. Standing or sitting, it takes under five minutes.

Doing the whole set matters more than doing any one of them beautifully. Left to ourselves we skip the direction that feels stiff or guarded, and…

Let the breath go along with the movement rather than counting it out. If you are guiding someone, do not set the pace of their breathing for them.

Being told exactly when to breathe in and out is unpleasant for more people than you would expect, and for anyone whose breath was held tight through…

Left, right, left, right. Walking, swimming, drumming and rowing all give the body the same steady side to side rhythm that the seated techniques are copying.

If tapping your own shoulders feels odd, or you would rather not do anything that looks like a technique, go for a walk instead and let the rhythm do…

Your settling kit should cost nothing. Tea you already buy, a photo already on your phone, an old jumper, a smooth stone, a puzzle that takes your whole attention.

Anything you have to buy first becomes a reason not to start, and for anyone short of money it can add a layer of shame to the thing that was meant…

Notice one thing your body is telling you right now. Thirsty, needing the loo, shoulders up somewhere near your ears. That noticing is a skill and it does come back with use.

Long stretches of stress teach you to override the body's signals until you stop hearing them at all. Then hunger, tiredness and the early edge of…

When somebody does not take up the movement you suggested, ask what got in the way before deciding they did not want to. Usually it is money, childcare, transport or time.

Cost, an awkward class time, nobody to watch the children, a room full of people you would have to make conversation with. None of that is…

If you are the therapist, you do not need to become the movement teacher as well. Sending somebody to a person trained for it is the better version of helping.

The evidence is for movement alongside therapy, not for therapy with a few stretches added by someone who picked them up from a video. Handing it…

Moving your body is not a pleasant extra alongside the proper treatment for low mood. It has been tested as a treatment in its own right and it holds up.

This matters most when you are already doing other things and still struggling. Walking, cycling, swimming, anything that lifts your heart rate for a…

If a movement class sounds like it comes with somebody else's beliefs attached, ask what actually happens in the room before ruling it out. Much of it can be done as plain movement.

Stretching, holding a shape, breathing steadily, none of that belongs to anyone. Teachers vary, and plenty will leave out the chanting or the framing…

You do not have to walk into a room full of strangers for this to work. The moving and the attention are the active parts, and both travel happily to your living room.

Group classes suit some people and cost others far more than they give. A video at home, a quiet corner, the same fifteen minutes, all of it counts.…

How often you move matters more than how hard. Pick something you would still do on a mediocre Tuesday.

Big efforts on good days followed by nothing for a fortnight tend to average out at very little. Three easy sessions a week that you actually keep…

When the person in front of you starts yawning during body work, it is usually not boredom. Bodies yawn as they let go of what they were holding.

Say so out loud, because most people apologise for it and then clamp down on the very thing that was starting to shift. A simple 'that is a good…

Most of the traffic on the nerve joining your gut, heart and lungs to your brain is heading upwards. When your stomach turns or your chest tightens, your body is reporting in.

It helps to treat those sensations as messages rather than faults to be got rid of. Next time your stomach drops before a difficult phone call, try…

Not every kind of quiet is calm. Settled feels warm and present. Shut down feels flat, far away and oddly fine.

Learning the difference in your own body is worth the trouble, because the two states need opposite things. If you are settled, stay there. If you…

You can tell you are settled by small signs: your breath sits low in your belly, feelings arrive in waves rather than floods, and you can think and feel at the same time.

Other markers: your voice has some tune in it, you can take in new information, you can read what is happening on someone else's face. Knowing your…

A gut feeling is a real signal rather than a turn of phrase. The chemicals that carry emotion in your brain are also at work in your heart and your gut.

This matters most if you grew up being told your read on a situation was wrong. Noticing the sensation, naming it, then checking it against what you…

The calm and connected part of this system speaks through your face, your voice, your ears and your heart. That is why those are the places to work.

A softer face, a slower voice, unhurried breathing and something friendly to look at are not decoration. They are the reachable end of the circuit…