Your body

The famous count is not automatically your count. One teacher finds that adding a pause after the inhale wakes her up, while the plain long exhale has her asleep within three breaths.

Protocols get passed around because they worked for someone, often someone with a large audience. That is not the same as fitting you. Keep the shape…

Breath is the quickest way you have of turning your own nervous system up or down. Nothing else you can simply decide to do works on that timescale.

Your heart rate already rises slightly as you breathe in and falls as you breathe out, on every breath. So changing how you breathe changes something…

Put a hand just below your ribs and let it move. Most of us breathe up in the chest, and the settling effect comes from lower down, where the diaphragm can actually shift.

You can check this lying down with a book on your stomach. If the book rises, the breath is going where you want it. If only your shoulders move, it…

A child cannot watch their own breathing, so give them something to watch instead. Bubbles through a wand show the out breath as it happens: too hard and it bursts, too weak and nothing comes.

Smelling a flower and then blowing it out gives each half of the breath a picture. The bubble wand is better still, because it answers back straight…

There is no breath that calms everyone. The one that settles your friend may leave you worse, and that is information about your body rather than a failure in you.

Labels like calming or energising are a rough guide at best. What actually happens depends on how you usually breathe, what your body has been…

Start with a count of four in and four out, then drop the count. Once the rhythm is there your body will choose its own length: six and six, eight and eight, whatever settles you.

The count is scaffolding. Holding onto it too long turns the practice into something you can pass or fail, which is the opposite of the point.…

Four in, hold four, four out, hold four. The holds are the strong part of this one, and they stay optional every single time.

Some people find the pauses deeply settling. Others meet the edge of what they can tolerate there, especially at the bottom of the exhale. Both are…

Rather than pulling in a big breath, breathe gently and slightly less than you want to, then wait. The deep breath that arrives by itself does more than the one you force.

Keep the breathing light and unhurried, and after a while a mild hunger for air builds. Let it build a little. At some point the body takes a fuller…

Holding your breath for a moment makes the next one deeper, which sounds backwards until you know why. The urge to breathe is driven by carbon dioxide, not by a shortage of air.

Sensors in the brainstem watch the level of carbon dioxide in your blood, and a pause, especially after breathing out, lets it rise a little. The…

These practices are not only pleasant. They change things you could measure, which is worth knowing on the days when pleasant is not reason enough to bother.

Yoga and breath work tend to get filed under relaxation, and that undersells them. There are claims made about them shifting the chemistry involved…

Go slowly enough to learn something about yourself, rather than only a technique. What is worth keeping is knowing which breath does what in your body.

One round is rarely enough to tell. Try a breath for a minute or two, stop, and check what shifted: the chest, the shoulders, how loud your thoughts…

There are two skills here rather than one: letting your body move and settle in its own way, and being able to steer yourself deliberately towards rest or alertness. It is worth having both.

Most people are strong in one and shy of the other. If you always take charge, your body never gets to finish anything on its own. If you only ever…

How often you actually do it matters more than which version you chose. The people who keep turning up tend to get more out of it, and those who carry on at home get more again.

This is quietly encouraging, because an unimpressive practice done regularly beats an ideal one you manage twice. It also sets the expectation…

Part of why martial arts suit some people has little to do with the kicking. Every session opens with a plan and closes with a look back at what happened and what comes next.

Those brackets at each end are doing quiet work: planning, then reviewing, then planning again, which are exactly the things that are hard to hold in…

Before you walk into a room with someone, ask what you are carrying in with you, and what you are likely to leave behind when you go.

State travels ahead of words. A hard conversation an hour ago, a bad night, a piece of news you have not dealt with: any of it will be in the room…

Whenever you offer a standing practice, offer the seated version in the same breath, and mean it. Say plainly that people should look after their own bodies and change anything that does not suit them.

Say it before you begin, not afterwards, so that nobody has to interrupt to ask. If you cannot see the people you are guiding, say that too, and say…

Offer any movement in three sizes: small, medium and full. Let people take the one that fits today, and let them change their mind halfway through.

For a twist that might be a simple reach, or a reach with the other hand placed behind, or loose swinging arms. The three sizes do quiet work. They…

When you offer someone a practice, ask them to tell you if it did nothing, and mean it. Say out loud that plenty of these do not land.

People agree that things helped for all sorts of reasons: not wanting to seem difficult, not wanting to disappoint you, having learned long ago that…

Your eyes are an input too. A photo of someone who loves you and a plain soft coloured wall will settle you; a busy bright screen will lift you.

Hardly anyone thinks to arrange what is in front of them, and it is one of the easier things to change. Put a picture where you actually sit. Turn…

Take the spine through all six of its movements: forward, back, bending to each side, turning to each side. Standing or sitting, it takes under five minutes.

Doing the whole set matters more than doing any one of them beautifully. Left to ourselves we skip the direction that feels stiff or guarded, and…

Left, right, left, right. Walking, swimming, drumming and rowing all give the body the same steady side to side rhythm that the seated techniques are copying.

If tapping your own shoulders feels odd, or you would rather not do anything that looks like a technique, go for a walk instead and let the rhythm do…

Notice one thing your body is telling you right now. Thirsty, needing the loo, shoulders up somewhere near your ears. That noticing is a skill and it does come back with use.

Long stretches of stress teach you to override the body's signals until you stop hearing them at all. Then hunger, tiredness and the early edge of…

When somebody does not take up the movement you suggested, ask what got in the way before deciding they did not want to. Usually it is money, childcare, transport or time.

Cost, an awkward class time, nobody to watch the children, a room full of people you would have to make conversation with. None of that is…

If you are the therapist, you do not need to become the movement teacher as well. Sending somebody to a person trained for it is the better version of helping.

The evidence is for movement alongside therapy, not for therapy with a few stretches added by someone who picked them up from a video. Handing it…

How often you move matters more than how hard. Pick something you would still do on a mediocre Tuesday.

Big efforts on good days followed by nothing for a fortnight tend to average out at very little. Three easy sessions a week that you actually keep…

Talk first, move second. Ending a hard conversation with something physical gives the body a route back down.

This works for a therapy group and it works for an evening at home. Say the difficult thing, then walk, stretch, wash up, anything that puts you back…

When the person in front of you starts yawning during body work, it is usually not boredom. Bodies yawn as they let go of what they were holding.

Say so out loud, because most people apologise for it and then clamp down on the very thing that was starting to shift. A simple 'that is a good…

Most of the traffic on the nerve joining your gut, heart and lungs to your brain is heading upwards. When your stomach turns or your chest tightens, your body is reporting in.

It helps to treat those sensations as messages rather than faults to be got rid of. Next time your stomach drops before a difficult phone call, try…

You can tell you are settled by small signs: your breath sits low in your belly, feelings arrive in waves rather than floods, and you can think and feel at the same time.

Other markers: your voice has some tune in it, you can take in new information, you can read what is happening on someone else's face. Knowing your…

A gut feeling is a real signal rather than a turn of phrase. The chemicals that carry emotion in your brain are also at work in your heart and your gut.

This matters most if you grew up being told your read on a situation was wrong. Noticing the sensation, naming it, then checking it against what you…

The calm and connected part of this system speaks through your face, your voice, your ears and your heart. That is why those are the places to work.

A softer face, a slower voice, unhurried breathing and something friendly to look at are not decoration. They are the reachable end of the circuit…

The way you sound reaches people more directly than what you say. There is a pathway that tunes the ear towards the human voice, and a warm, unhurried voice uses it.

Worth knowing whether you are the one speaking or the one listening. If you are settling a child or a friend, let your voice go slower and softer and…

Breathing that has gone almost invisible happens in both kinds of stillness, so it will not tell you which one you are looking at. Muscle tone will.

Look at the jaw, the hands, the shoulders, the way the body is being held in the chair. Tight and set is one thing. Slack and heavy is another. You…

Stand on one foot for half a minute, a hand on a chair if you need it, and put all your attention into the foot on the floor.

You will find it is never still. There is a constant small negotiation towards the toes, the heel, one side and back again, and every so often you…

Try locking your ankle and holding everything rigid while you balance. You will fall over. The wobble was doing the work.

People who are frightened of losing control often try to hold themselves regulated: clamped, monitoring, allowing no drift. It is exhausting and it…

There are small signs that somebody has come back into connection: light in the eyes, a bit of music in the voice, a smile that arrives by itself.

They are easy to see once you know to look, and they are just as useful in reverse. If you are with someone difficult and your own voice has gone…

Breath does not always calm. For some people it opens the door to feeling, for others it puts a little distance in. Find out which it does for you today.

The instruction to breathe deeply gets handed out as though it settles everyone. Plenty of people find that attention to their breath brings the…

Your heart speeds up slightly on every breath in and slows on every breath out. Sit quietly with a hand on your chest and you can feel it.

This is why lengthening the out breath calms you and lengthening the in breath wakes you up. It also means you carry a working control that needs no…

Hum a note you like for a few breaths, and try covering your ears with your palms so the sound fills your head.

The vibration carries through your throat and your inner ear, and humming lengthens the out breath for you without any counting. Choose your own note…

Whatever happens in a session, the change gets built in the other hours. Choose things you can do at a bus stop with nothing in your hands.

There are roughly 167 waking hours a week outside an appointment, and that is where a practice either becomes yours or quietly disappears. Elaborate…