Your body

If turning attention inward makes you feel more unreal rather than less, stop turning it inward. Go outward instead: what you can see, what you are grateful for, where you are and what day it is.

The usual advice to notice what is happening in your body assumes there is an inside that feels solid enough to visit. When it feels empty or fake,…

When you are wound up and when you are flat, you need opposite things. Sweet tastes, soft light, slow rocking and steady weight bring you down; sharp smells, crunchy food, bright images and quick movement bring you up.

Before reaching for anything, work out which way you actually need to go. Racing, jaw tight, heart going: choose from the settling side. Foggy,…

Your eyes are an input too. A photo of someone who loves you and a plain soft coloured wall will settle you; a busy bright screen will lift you.

Hardly anyone thinks to arrange what is in front of them, and it is one of the easier things to change. Put a picture where you actually sit. Turn…

Sound that repeats slowly, waves, rain, steady recitation, brings you down. Fast, loud, unpredictable music, or whistling, brings you up.

Have both ready before you need them, one playlist for each direction. Whistling is worth knowing about because it does two jobs at once, lifting you…

Steady pressure suits both directions. A weighted blanket, a firm squeeze of your own hands, lotion rubbed in with real pressure, bare feet pressed into the floor.

This is the one thing on the list that works whether you are wound up or gone flat, which makes it a good default when you cannot tell which you are.…

To come down, move slowly and rhythmically: rock, sway, walk at half speed. To come up, move properly: jog on the spot, jump, dance fast, or carry something heavy.

Heavy work is the interesting one, because it settles as well as it lifts. Carrying the shopping in one trip, shifting furniture, pushing hard…

Once a day, run through five things in order: how your mind is, what your body feels, how the breathing is going, what the emotional weather is, and how much energy you have. Curious, not marking yourself.

The order matters more than the answers do. Without a set path, checking in with yourself slides easily into chewing over the same worry, and you…

The same check-in can take two minutes or fifteen. Match the length to the day you are actually having, not to the version you were taught.

A long deep look inward is not always the better one. On a day when you are already far from yourself, going deeper can take you further out rather…

Finish a check-in by asking what actually brought you here. Not the task in front of you, the thing underneath it that you want.

Noticing how you are can leave you sitting in it. One more question turns it outward: what am I hoping for, what am I moving towards. It might be…

Start with a couple of minutes of movement before any of the difficult talking. Not a warm up for its own sake: a body that has moved is easier to think in.

Two or three minutes is enough. Roll the shoulders, round and lengthen the spine, turn gently side to side. It also says something without anyone…

Take the spine through all six of its movements: forward, back, bending to each side, turning to each side. Standing or sitting, it takes under five minutes.

Doing the whole set matters more than doing any one of them beautifully. Left to ourselves we skip the direction that feels stiff or guarded, and…

Posture does not only show what you feel, it decides what you can feel. Anger is very hard to reach with a collapsed chest, and grief is hard to reach when you are held rigidly upright.

If a feeling seems to be nowhere at all, look at the shape you are sitting in before deciding it is absent. Let the chest open a little, or let a…

Once a movement is familiar, drop the pattern. Let it curve and wander towards wherever your body seems to want it, rather than doing it correctly.

Following instructions well is a skill many people learned early, sometimes because it was not safe to do anything else. A practice made entirely of…

Instead of breathing deeply in general, pick the place that feels tight, the front of the ribs, the chest, one shoulder, and send the breath there.

You are not really moving air into your shoulder, but putting your attention there while you breathe does two things: you start to feel that area in…

Let the breath go along with the movement rather than counting it out. If you are guiding someone, do not set the pace of their breathing for them.

Being told exactly when to breathe in and out is unpleasant for more people than you would expect, and for anyone whose breath was held tight through…

After movement, take a moment on five things: the quality of your mind, of the sensation in your body, of your breathing, of your mood, and of your energy.

Doing this after moving rather than before gives you something to notice, since the body has just changed. Over time it builds a vocabulary. People…

End a check-in with a question rather than a summary: what do I need in order to be properly here today?

Noticing your state can leave you stuck in reporting on yourself. The need question turns it into something you can act on, and the answer is often…

Left, right, left, right. Walking, swimming, drumming and rowing all give the body the same steady side to side rhythm that the seated techniques are copying.

If tapping your own shoulders feels odd, or you would rather not do anything that looks like a technique, go for a walk instead and let the rhythm do…

Your settling kit should cost nothing. Tea you already buy, a photo already on your phone, an old jumper, a smooth stone, a puzzle that takes your whole attention.

Anything you have to buy first becomes a reason not to start, and for anyone short of money it can add a layer of shame to the thing that was meant…

Notice one thing your body is telling you right now. Thirsty, needing the loo, shoulders up somewhere near your ears. That noticing is a skill and it does come back with use.

Long stretches of stress teach you to override the body's signals until you stop hearing them at all. Then hunger, tiredness and the early edge of…

When you are low, the thing most likely to help is the thing you have least appetite for. Make the first step small enough that appetite is not required.

Getting as far as the front door can be the whole task on a bad day. Standing up, putting your shoes on, then deciding, is a fair plan. Anyone…

A movement practice comes apart into pieces: the shapes, the breathing, the noticing. On a day when the whole thing is beyond you, take one piece.

Just the breathing, sitting where you already are, is a practice. So is one stretch held for a minute. Doing a fragment keeps the thread going, and…

When somebody does not take up the movement you suggested, ask what got in the way before deciding they did not want to. Usually it is money, childcare, transport or time.

Cost, an awkward class time, nobody to watch the children, a room full of people you would have to make conversation with. None of that is…

If you are the therapist, you do not need to become the movement teacher as well. Sending somebody to a person trained for it is the better version of helping.

The evidence is for movement alongside therapy, not for therapy with a few stretches added by someone who picked them up from a video. Handing it…

Moving your body is not a pleasant extra alongside the proper treatment for low mood. It has been tested as a treatment in its own right and it holds up.

This matters most when you are already doing other things and still struggling. Walking, cycling, swimming, anything that lifts your heart rate for a…

If a movement class sounds like it comes with somebody else's beliefs attached, ask what actually happens in the room before ruling it out. Much of it can be done as plain movement.

Stretching, holding a shape, breathing steadily, none of that belongs to anyone. Teachers vary, and plenty will leave out the chanting or the framing…

You do not have to walk into a room full of strangers for this to work. The moving and the attention are the active parts, and both travel happily to your living room.

Group classes suit some people and cost others far more than they give. A video at home, a quiet corner, the same fifteen minutes, all of it counts.…

How often you move matters more than how hard. Pick something you would still do on a mediocre Tuesday.

Big efforts on good days followed by nothing for a fortnight tend to average out at very little. Three easy sessions a week that you actually keep…

Talk first, move second. Ending a hard conversation with something physical gives the body a route back down.

This works for a therapy group and it works for an evening at home. Say the difficult thing, then walk, stretch, wash up, anything that puts you back…

Some of what you are carrying has not finished happening. Movement that soothes rather than pushes tends to suit that better than anything strenuous.

Advice built around a danger that has passed does not fit a person still meeting it weekly, whether that is racism, an unsafe household or work that…

If talking about it has not shifted things, a body based practice is worth trying next. It is not a consolation prize.

Some of what trauma leaves behind sits underneath words: the flinch, the going blank, the pull towards hurting yourself. Practices that work through…

What frightens a body is usually not how hard a thing is, it is having no way out. So put movement as an offer. If it feels alright, you might try lifting your arms.

The wording is doing quiet work here. Lift your arms, and see what happens if you lift your arms, are the same physical event, but only one of them…

Whatever a person walks in carrying belongs in the practice. The ache in the hip, the irritation, tears that arrive for no reason, the part that thinks all of this is nonsense.

Complex trauma teaches people to leave pieces of themselves at the door, and a yoga mat is an easy place to carry on doing exactly that, particularly…

When you start paying attention to your body, things wake up. More feeling, a deeper breath, memories arriving sideways. That is the practice working, not the practice going wrong.

Say this at the start, not afterwards. People who were not told tend to decide the movement made them worse and stop, when what actually happened is…

You are not here for a longer hamstring. You are here for a nervous system that can change gear, work when work is needed and settle when it is not.

An ordinary class measures you against the shape, and that measuring is the same self driving that wore you out in the first place. The therapeutic…

When attention has nowhere to settle, give it something. A fixed point on the floor, the breath, the shape your hands are making, or the plain feel of the position you are in.

Which one you choose matters more than people expect. Focusing on the breath turns attention inward, and inward is the wrong direction for anyone…

Once a shape feels safe, it becomes somewhere to explore from. The question stops being am I doing this right and turns into how does my body want to move now.

Stay in an easy position long enough for it to go slightly dull. Dull is the sign that the ground under you is steady. From there, small experiments:…

Picture a cat getting up from a nap. One side lengthens and reaches while the other side curls in, then they swap over. Do that. Add breath and sound if you want them.

After a minute of copying the animal, drop the instructions and let your body carry on however it likes. That is the reason for starting here:…

Find the place that is always tight, your jaw, your shoulders, the top of your back. Take it over deliberately. Squeeze it harder than it holds itself, then let it go.

Do that a few times and something changes. The holding stops being weather that happens to you and becomes something you are doing, which means it is…

Take a shape that asks something of you, warrior or mountain, eyes open, the middle of your body switched on. Then, without coming out of it, drop your attention inside and let the pose hold you instead.

Two things get practised in one position. First the doing: strong legs, clear gaze, a body that is ready. Then the yielding: still there, still…